Author Archives: Rachelle Fordyce

unADULTeRATED me — Update on Montreal, London, and Toronto Fringes

Well, it’s been a few weeks since I’ve posted an update on the tour. I just performed my first show in Toronto as of four hours ago. I’m going to update a bit on how things went in Montreal, London, and my first performance in Toronto.

Montreal Fringe

Montreal Fringe was an interesting experience.  I was still experimenting with my show during the Montreal Fringe.  My first performance in Montreal occurred on a Friday night at 11pm at a new venue to the Montreal Fringe Festival — it was at a place called “Le Petit Campus” and there was a dance club on the level above it.  It being Friday night and late, the dance club above was in full swing and there was heavy a bass-line thudding from the dance music above.  It was *extremely* distracting and disruptive, but I tried my best.  Despite the poor conditions of the venue that evening, two or three of the audience members got in touch with me at some point afterward via the internet to tell me how much they appreciated the show.

The first person who contacted me later that same night was named Radu:

“Hi Rachelle,
I arrived at your show completely by accident, and had no idea what to expect.
I’m glad I did – your show was sometimes funny, sometimes sad, and quite touching. Congratulations – it takes a lot of courage to stand up there, brave the hostile conditions, and just say “here – that’s me”. I would not dare – but then again, I’m not a stage performer. (…) Once again – congratulations, keep singing – and cut down on chocolate.
Best of luck
Radu Juster

Montreal”

(You have to see the show to get the chocolate comment.  🙂 )

Despite having received this encouraging feedback mere hours after the initial performance, I felt very dissatisfied with my show as a whole.  As I mentioned earlier, I was still tinkering and tweaking it, and as such, I continued to experiment with the script a little for the next handful of performances.

My Monday night performance in Montreal was a particularly odd one.  I had just found out that night that my venue technician was no longer with the Montreal Fringe Festival, and therefore a new technician was assigned to the venue and to my show.  Beforehand I went over the show with her, but I was really stressed out about it since we had to go over things last minute, and then I was rushing to get my costume on in time, too.  …Anyway, to make a long story short, I felt that my experiments with the show that night didn’t go over too well, likely exacerbated by my being a stressed and rushed prior due to the new technician assignment.  …As luck would have it, a reviewer was in the audience that night, and he totally panned the show.

…Of course, I firmly believe that everyone is entitled to their own opinion, and I don’t expect everyone to love my show.  That being said, if someone is going to write a review of a play, I think it’s not only fair, but imperative, to review the play as a whole from start to finish.  This particular reviewer did not do so.  According to his own review he left half-way through show.  Ah well.  … I’m not going to quote that awful review, but it’s easy enough to find online if you care to do so.  It’s pretty harsh though, I must say!

Anyway… Later that same week, I had received another message from a fellow named Louis-Paul who had also been in attendance at the first show.  He wrote:

“Hi Rachelle.

My name is Louis-Paul Rioux. I was at your show friday night. I think you were very brave for the premiere. The dance upstairs was very annoying, we couldn’t hear all your lines, it was very difficult for you to concentrate. Nevertheless, you made a very good, very intelligent show, the best I saw at the Fringe this year. Your character is so sweet, your knowledge of the French language is endearing, The story is heartbreaking. (…) I think you’re very talented. You deserve better. Cheer Up!

Best Regards.
Louis-Paul
By the last couple of performances in Montreal, I had started to figure out what seemed to work best and what wasn’t working.  My last show in Montreal was, in my opinion, the best of that Festival.  I had a very friendly crowd that night — one audience member even bought Fizzy (my red-nosed alter ego) a shot to drink while on stage doing the show!  It was hilarious and awesome!  🙂  My friend Pierre was also in the audience that night and he took some pictures.  Here’s one of the photos he took:
This is Fizzy and her rehearsing for her date with an audience  member.  :)

Fizzy rehearsing with an audience member for her “hawt” date.

 

From Montreal to London

The trip from Montreal to London was a hectic one.  My last show in Montreal ended at Midnight Saturday morning, and 11 hours later I had to be in London for my technical setup at my performance venue in the London Fringe.  I had tons of packing and preparation to do that night, so I didn’t sleep at all before leaving for the airport at 5:15 in the morning, save for an attempted 10-minute nap!  WOW was I ever sleepy!
 
Thankfully I caught a little sleep on the plane to Toronto.  Once in Toronto, Steve and I took a shuttle from the airport to a nearby hotel to pick up a rental car. Then we drove directly from there to the performance venue in London.

 

London Fringe

I had a little under 2 hours to do my tech setup.  The tech setup was pretty straight-forward, and our venue technician was awesome to work with.  After it was complete, I had about three hours before my first show.  I pumped myself up on soy chai lattes since I was so sleep deprived.  Before I knew it, soon it was time to perform the first show in London.  Curtain time was at 4:30 that afternoon.
 
The performance went really well and the audience seemed to love it!  I’m glad I performed so well despite my sleep-deprived state.  Afterward, some audience members posted some lovely reviews for my play on the London Fringe’s website  Here’s some of the audience feedback that was posted online about my show:
“Wow!
 

This was quite possibly the bravest thing I have ever seen on stage.

I’ve been married so long that I’ve forgotten about the process you go through when preparing to be close to someone. How huge a risk it is to bare your soul. Through mask and metaphor, this show gave me a whole new perspective on how much courage it takes to try to connect.

It was a wonderful performance, and I hope it does well.”

 
“I don’t often write reviews, but…
 
I lived in Edmonton for many years before moving here for my husbands work, so I’ve seen a lot of fringe shows at the biggest Fringe on the continent… BUT… This show might be the best show I’ve seen at any Fringe, any year. What an engrossing and amazing young performer. Look out world, she is going to be the next Shannon Calcutt.
 
“Wow this is a brilliantly brave and funny show. Fizzy Tiff is a beautiful, sweet, smart funny lady with an amazing voice and a hilarious show! Love, love, loved it!”
 
 
I was thrilled with the positive feedback!  By the second performance in London, I had received my first standing ovation of the tour!  YAY!
 
I decided to experiment slightly with the order of my show for Tuesday’s performance.  … By the end of that performance, I had come to the conclusion that it was better the way I had already been doing it.   And so, I reverted back to the previous way of doing things for the next show, which again went great — as I had another standing ovation!!!  (About half or more of the audience stood for that particular performance.)  By the last show in London I had another standing ovation!!!  😀  WOOT!
 
On the last day of the London Fringe, the Best of the Fest Patron’s Picks awards were announced and given out.  *drumroll* …  unADULTeRATED me won the award for MOST DARING SHOW of the 2010 London Fringe!!!

 

Toronto

I’m writing this entry after just having had my first performance of the show here at the Toronto Fringe.
 
The energy of the audience felt a lot different than it had in been London, so it was hard for me to judge how well the show had went after it was over…   but by the time I came back out on stage after the play was over to take my bows, an audience member stood up, then another, and then another, and more, until I had another standing ovation!
 
It is such a wonderful feeling to be acknowledged and appreciated for your work, expressed in the form of a standing ovation.  It means that my performance and work has truly touched and stirred people to such a strong degree that they’re inspired to stand and clap, expressing their gratitude and thanks.  Simultaneously, it is a very humbling experience, for I know I would be nothing without an audience.  And so I thank YOU, my dearest audience, from the bottom of my heart.
 
I hope the next six shows that are scheduled for the rest of the Toronto Fringe will have an equally enthusiastic response, if not better!  I’ll try to keep this blog updated a bit more frequently about how things are going along the tour.
 
… WOW…  My next show is already in 12 hours from now!
Time to get some sleep!
 
xoxo
<3
Rachelle

 

Why I am a Performer

The path that led me to be an actor and performer is quite the interesting one.

When I was a young child, I was extremely shy. I kept to myself a lot. I didn’t have many friends on the playground, and usually spent most recesses alone by myself. I recall some other children calling me a snob. I remember those remarks hurt me deeply — I knew I did not keep to myself out of snobbery. I kept to myself because I was so incredibly shy. Deep down I really wanted to connect with others and to have friends, but my shyness kept me from doing so.

This feeling of shyness never really went away, and it wasn’t something I outgrew in the following years to come. Perhaps the intensity of my shyness lessened, yet it was still there.

Despite my shy tendencies, once I was in high school I immersed myself in a variety of high school classes that are typically associated with extroverted behavior. I was a member of student council (and later became an executive member of student council too). I joined the choir. I sang in the vocal jazz ensemble. I performed percussive instruments in the jazz band. I was also a member of the concert band. It would seem I loved music and performing. We didn’t have a drama class, but there was a musical theatre class. Musical theatre class did not focus on performance in terms of acting skills, but rather focused on singing and chorus choreography.

I recall being in the 9th grade and watching a performance of the The Sound of Music that my high school had put on. It wasn’t an especially fantastical or glamorous production, and yet, it somehow inspired me to perform and to be up on that stage. There was something inside of me that longed to be on stage, act, and sing, even though my shy and introverted nature preferred to stay quiet and out of the limelight.

The following year, in the 10th grade, I decided to audition for that year’s musical. It was my first time trying out for anything. I was pleased to be cast in the role of Amaryllis in that year’s production of The Music Man!

When in the 12th grade, I remember auditioning for that year’s musical, which was to be The King and I. I was soooooo nervous. Because it was my last year of high school, I put a lot of pressure on myself and the importance of that audition. As a result of intense nerves, stress, and high expectations I put on myself, I gave a poor audition.

I was so upset with myself. I saw this as my last opportunity to be cast in a lead role, and I knew I was capable of doing a great job — if only my nerves hadn’t gotten in the way. But, they had. As a result, I was cast in the chorus of the King’s children. As someone who was a few months away from adulthood at the time, I was so disappointed to be cast as an unimportant chorus child.

Determined to play an important role in the musical of my final year of high school, I talked with the director. I decided to voluntarily pull out of the musical as a chorus member and to instead play the role of stage manager. I wanted to contribute in a more meaningful and significant way, and if I couldn’t play one of the lead roles on stage, I thought the next best thing would be to play a lead role off-stage. The director agreed to this arrangement.

After many weeks of rehearsals and preparation, it was soon time for the show to be presented on stage for an audience. I took pride in playing the role of the stage manager, yet simultaneously longed to be on stage. When the cast was on stage singing, I was singing too from off-stage. It seemed that’s where my heart longed to be.

Then, the final night of performance arrived. The play started, progressed, and finished. That was it. It was over. I felt as though I would likely never have an experience like this in my life. I was at once elated for what I had experienced and devastated that I would never experience anything like this again.

It was tradition for the cast to recognize the director, stage manager, and other off-stage crew on the final show, in front of the audience. I was presented with flowers, a card, and a gift. I couldn’t help bawling my face off, because inside I felt like this was the last time I would ever get to be part of such a committed team all working towards the same goal of creating an ephemeral experience to share with an audience – and to share with each other. I honestly felt like I would never have this again. Saying goodbye to that was very difficult.

Interestingly, I had never considered going into theatre as a career. Obviously I seemed to have some sort of drive or passion for performing on stage, even though I was still terribly nervous and shy about it. But to do so as a career? It just didn’t seem… practical. It didn’t even cross my mind.

Actually, I didn’t know what the heck I wanted to “be”.

I had no idea what I wanted to do with my life in terms of a future career. I had some of the very top grades in my graduating class in Chemistry, Physics, Math, English, and Music. I had earned some prestigious awards. I had earned two entrance scholarships to two different local universities. I seemed to have interest and be skilled in a variety of topics. How the heck was I supposed to choose only one path to pursue?

Uncertain and indecisive, I decided to take a variety of classes and subjects. During my first year of university, I took classes such as: a philosophy course called, “Thinking about Moral Issues”, an Introduction to Astronomy, an Introduction to Calculus, an Introduction to World Religions, as well as an Introduction to Theatre.

The theatre class I had signed up for was actually not an acting or performance class. It was geared more towards those who were interested in the non-performance aspect of theatre, such as the role of a director or designer, or perhaps even a stage manager or theatre technician.

Out of all the classes I had taken that year, I had seemed to be most drawn to theatre. (Astronomy was pretty high up there too, though.) Perhaps it was because theatre had a creative element to it in addition to an expressive element. The other classes seemed mostly focused on the memorization and regurgitation of the subject material.

Theatre had a different component to it. Perhaps it was its creative aspect. Perhaps it was the way one could use the medium of theatre as a means of expression. Or perhaps it was theatre’s ephemeral and intangible qualities that I found to be so alluring. Either way, I became hooked. I soon declared Theatre and Drama as my subject of major.

I’m really grateful for the role theatre has played in my life. Theatre and performance has allowed me to delve deeper into myself, discover that which lay within, and share it with others — performers and audience members alike. I still have shy tendencies from time to time, but on a whole, I’m much more open and comfortable with myself than ever before. And it’s a continual process too.

Theatre acted as a means for me to break out of that shell of shyness that segregated me from the world and the world from me. I suppose that’s what I’ve always wanted, longed for, and desired all along: to share myself with the world, and by doing so, to make a true, meaningful, and impactful difference.

Lately, I’ve come to realize that it isn’t the specific act of performing that is my true desire. Rather, it’s the act of sharing myself — openly, honestly, creatively, artistically — all in the interest and hope of, somehow, making the world a better place.

<3